martes, 28 de septiembre de 2010

I`AM HERE BY LOUIS PARK FOR FIASCO MAGAZINE

With a new issue of Fiasco magazine quickly approaching, we take a final look at theTeen Freedom issue. Combining drama and the eccentric for an offbeat spread entitled I Am Here, Louis Park photographed Aaron Frew, Dan Felton, Jazz Jamieson, Hugh Vidler, Greg (Next London), Max Cocking, Harry Wakefield and Barnaby Dunn for a black and white feat styled by Hope von Joel.






NUMERO TOKIO # 41 NOVEMBER 2010


NUMERO TOKIO # 41 NOVEMBER 2010

PUCCI FOR INTERVIEW OCTOBER 2010

PUCCI


INTERVIEW OCTOBER 2010

PETER DUNDAS

BY MARIO SORRENTI

INTERVIE OCTOBER 2010

NAOMI CAMPBELL

BY MERT ALAS & MARCUS PIGGOTT

INTERVIEW OCTOBER 2010

JULIA STGNER & HILARY RHODA FOR VOGUE TURKEY OCTOBER 2010

JULIA STEGNER


VOGUE TURKEY (TURQUIA) OCTOBER 2010

BY Cüneyt Akeroğlu

VERSACE SPRING 2011 RTW

SUVI KOPONEN

Not for Donatella Versace, the feminine floor-sweepers that are floating up and down Milanese runways this week. "Rigor with sensuality"—that was her focus for Spring. And the focus was absolute: A handful of elements combined to create a statement that was limited but strong.

The models' hair cued a new strictness. Gone the supermodel mane, to be replaced by a tight topknot wrapped by Guido Palau and his team in PVC. Pat McGrath's makeup emphasized a strong brow at the expense of other features.

The look had a my-way-or-the-highway fierceness, but it was subtly realized. There was a kind of fetishistic tug to an outfit like the blue apron dress with the harness back; you felt it, too, in the severe silhouette, whose focus was alternately a pencil skirt that ended just below the knee or a fitted mid-thigh length.

ALLA KOSTROMICHOVA

This looked best in a trim coat-dress, which came in white piqué or black leather for maximum all-styles-served-here effect. As Donatella pointed out, the longer skirt could be paired with a midriff-baring tank or a top scissored into an asymmetric racerback—not so maîtresse after all. The cutouts were carried over to the footwear. The athleticism in such detailing gave the collection an energetic charge.


The strong, clear colors played a role, as well—Mediterranean blue, orange, shades of red, combined in a strong, summery stripe. Donatella also revived the Greek key, the decorative border that is a classic Versace code.

SAMANTHA GRADOVILLE

It was traced in vinyl on a white jacket or combined with the stripes in a collage-y print on a sundress. All of this was played against a white that was as stark as the houses on a sun-bleached Greek island.

JACQUELYN JABLONSKI

Donatella extended that slightly classical notion into cocktail and evening dresses, adding fringe for movement, then weaving and draping it so it looked like something plucked from a Parthenon frieze.

The goddess dress has been a house specialty from the beginning, so here it seemed like a perfectly logical conclusion for a Versace collection that drew its strength from the label's roots.

HAILEY CLAUSON

FREJA BEHA ERICHSEN

KASIA STRUSS

JOAN SMALLS

VLADA RUSLYAKOVA

KINGA RAJZAK

SARA BLOMQVIST

DARIA STROKOUS

DAPHNE GROENEVELD

LINDSEY WIXON

SIGRID AGREN


CAROLINE BRASCH NIELSEN

CARLA GEBHART

KORI RICHARDSON

SUVI KOPONEN

JACQUELYN JABLONSKI

ALLA KOSTROMICHOVA

SIRI TOLLEROD


MIRTE MAAS


HAILEY CLAUSON

VLADA ROSLYAKOVA

FREJA BEHA ERICHSEN

JOAN SMALLS

DAPHNE GROENEVELD

KASIA STRUSS

SAMANTHA GRADDOVILLE


KINGA RAJZAK

CARLA GEBHART

SIGRID AGREN

ALLA KOSTROMICHOVA

LINDSEY WIXON


SUVI KOPONEN


DONATELLA VERSACE


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